000 | 03734cam a2200505Ii 4500 | ||
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001 | 9781003021308 | ||
003 | FlBoTFG | ||
005 | 20211012160759.0 | ||
006 | m o d | ||
007 | cr cnu|||unuuu | ||
008 | 200512s2020 enka ob 001 0 eng d | ||
040 |
_aOCoLC-P _beng _erda _epn _cOCoLC-P |
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020 |
_a9781003021308 _q(electronic bk.) |
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020 |
_a1003021301 _q(electronic bk.) |
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020 | _z9780367898199 | ||
020 |
_a9781000052114 _q(electronic bk. : EPUB) |
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020 |
_a1000052117 _q(electronic bk. : EPUB) |
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020 |
_a9781000052091 _q(electronic bk. : Mobipocket) |
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020 |
_a1000052095 _q(electronic bk. : Mobipocket) |
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020 | _z9780367898182 | ||
020 |
_a9781000052077 _q(electronic bk. : PDF) |
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020 |
_a1000052079 _q(electronic bk. : PDF) |
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035 | _a(OCoLC)1154016662 | ||
035 | _a(OCoLC-P)1154016662 | ||
050 | 4 | _aRC343 | |
072 | 7 |
_aPSY _x000000 _2bisacsh |
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072 | 7 |
_aPSAN _2bicssc |
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082 | 0 | 4 |
_a573.8/6 _223 |
100 | 1 |
_aGruber, David R. _q(David Robert), _d1979- _eauthor. |
|
245 | 1 | 0 |
_aBrain art and neuroscience : _bneurosensuality and affective realism / _cDavid R. Gruber. |
264 | 1 |
_aLondon : _bRoutledge, Taylor & Francis Group, _c2020. |
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300 |
_a1 online resource (xxiv, 184 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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520 | _aThe first of its kind, this book examines artistic representations of the brain after the rise of the contemporary neurosciences, examining the interplay of art and science and tackling some of the critical-cultural implications. Weaving an MRI pattern onto a family quilt. Scanning the brain of a philosopher contemplating her own death and hanging it in a museum. Is this art or science or something in-between? What does it mean? How might we respond? In this ground-breaking new book, David R. Gruber explores the seductive and influential position of the neurosciences amid a growing interest in affect and materiality as manifest in artistic representations of the human brain. Contributing to debates surrounding the value and/or purpose of interdisciplinary engagement happening in the neuro-humanities, Gruber emphasizes the need for critical-cultural analysis within the field. Engaging with New Materialism and Affect Theory, the book provides a current and concrete example of the on-going shift away from constructivist lenses, arguing that the influence of relatively new neuroscience methods (EEG, MRI and fMRI) on the visual arts has not yet been fully realised. In fact, the very idea of a brain as it is seen and encountered today--or "The Brain," as Gruber calls it--remains in need of critical, wild and rebellious re-imagination. Illuminating how artistic engagement with the brain is often sensual and suggestive even if rooted in objectivist impulses and tied to scientific realism, this book is ideal for scholars in Art, Media Studies, Sociology, and English departments, as well visual artists and anyone seriously engaging discourses of the brain. | ||
505 | 0 | _aPreface Chapter 1. Ancient Histories of the Brain Concept Chapter 2. Neuro-Sensuality and Brain Art Chapter 3. Affective Realism and Brain Art Chapter 4. Brain Art on the Ontological Stage Conclusion. For the Love of the Momentary Brain | |
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 | _aNeurosciences in art. | |
650 | 0 | _aAnatomy, Artistic. | |
650 | 0 | _aBrain. | |
650 | 7 |
_aPSYCHOLOGY / General _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9781003021308 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c545634 _d545569 |