000 | 03432cam a2200541Mi 4500 | ||
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001 | 9780429196690 | ||
003 | FlBoTFG | ||
005 | 20211012144818.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 190720s2020 enk o 000 0 eng d | ||
040 |
_aOCoLC-P _beng _epn _cOCoLC-P |
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020 | _a9780429591600 | ||
020 | _a0429591608 | ||
020 |
_a9780429196690 _q(electronic bk.) |
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020 |
_a0429196695 _q(electronic bk.) |
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020 |
_a9780429589669 _q(electronic bk. ; _qEPUB) |
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020 |
_a0429589662 _q(electronic bk. ; _qEPUB) |
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020 |
_a9780429587726 _q(electronic bk. ; _qMobipocket) |
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020 |
_a0429587724 _q(electronic bk. ; _qMobipocket) |
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020 | _z0367185105 | ||
020 | _z9780367185107 | ||
035 |
_a(OCoLC)1109817161 _z(OCoLC)1109971893 _z(OCoLC)1110058902 |
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035 | _a(OCoLC-P)1109817161 | ||
050 | 4 | _aBR115.H84 | |
072 | 7 |
_aREL _x070000 _2bisacsh |
|
072 | 7 |
_aREL _x115000 _2bisacsh |
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072 | 7 |
_aSOC _x022000 _2bisacsh |
|
072 | 7 |
_aHRC _2bicssc |
|
082 | 0 | 4 |
_a230.00207 _223 |
100 | 1 |
_aSchweizer, Bernard, _d1962- _eauthor. |
|
245 | 1 | 0 |
_aChristianity and the triumph of humor : _bfrom Dante to David Javerbaum / _cBernard Schweizer. |
260 |
_aMilton : _bRoutledge, _c2020. |
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300 | _a1 online resource (254 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aRoutledge new critical thinking in religion, theology and biblical studies | |
520 | _aThis book traces the development of religious comedy and leverages that history to justify today's uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity's cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, be of great interest to scholars of Religious Studies, Humor Studies, and the Sociology of Religion. | ||
588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aWit and humor _xReligious aspects _xChristianity. |
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650 | 0 |
_aChristianity _xSocial aspects. |
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650 | 0 | _aReligion and sociology. | |
650 | 7 |
_aRELIGION _xChristianity _xGeneral. _2bisacsh |
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650 | 7 |
_aSOCIAL SCIENCE _xPopular Culture. _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/e/9780429196690 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c542617 _d542552 |