Wellcome

Digital interfacing : action and perception through technology / Daniel Black.

By: Black, Daniel (Daniel Ariad) [author.]Material type: TextTextSeries: Publisher: New York, NY : Routledge, 2019Copyright date: ©2019Description: 1 online resource (204 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 0429425171; 9780429425172; 9780429757204; 0429757204; 9780429757211; 0429757212; 0429757190; 9780429757198Subject(s): Human-machine systems -- Philosophy | Digital media -- Psychological aspects | COMPUTERS / Computer Literacy | COMPUTERS / Computer Science | COMPUTERS / Data Processing | COMPUTERS / Hardware / General | COMPUTERS / Information Technology | COMPUTERS / Machine Theory | COMPUTERS / Reference | SOCIAL SCIENCE / Media Studies | COMPUTERS / Social Aspects / Human-Computer InteractionDDC classification: 004.01/9 LOC classification: T14 | .B47 2019Online resources: Taylor & Francis | OCLC metadata license agreement
Contents:
The myth of the myth of transparency -- Where do bodies end and objects begin? -- Beside ourselves -- Aesthesiogenesis -- Real time.
Summary: This book takes the interface - or rather to interface, a process rather than a discrete object or location - as a concept emblematic of our contemporary embodied relationship with technological artefacts. The fundamental question addressed by this book is: How can we understand what it means to perceive or act upon the world as a body-artefact assemblage? Black works to clarify the role of artefacts of all kinds in human perception and action, then considers the ways in which new digital technologies can expand and transform this capacity to change our mode of engagement with our environment. Throughout, the discussion is grounded in specific technologies - some already familiar and some still in development (e.g. new virtual reality and brain-machine interface technologies, natural user interfaces, etc.). In order to develop a detailed, generalizable theory of how we interface with technology, Black assembles an analytical toolkit from a number of different disciplines, including media theory, ethology, clinical psychology, cultural theory, philosophy, science and technology studies, cultural history, aesthetics and neuroscience.
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The myth of the myth of transparency -- Where do bodies end and objects begin? -- Beside ourselves -- Aesthesiogenesis -- Real time.

This book takes the interface - or rather to interface, a process rather than a discrete object or location - as a concept emblematic of our contemporary embodied relationship with technological artefacts. The fundamental question addressed by this book is: How can we understand what it means to perceive or act upon the world as a body-artefact assemblage? Black works to clarify the role of artefacts of all kinds in human perception and action, then considers the ways in which new digital technologies can expand and transform this capacity to change our mode of engagement with our environment. Throughout, the discussion is grounded in specific technologies - some already familiar and some still in development (e.g. new virtual reality and brain-machine interface technologies, natural user interfaces, etc.). In order to develop a detailed, generalizable theory of how we interface with technology, Black assembles an analytical toolkit from a number of different disciplines, including media theory, ethology, clinical psychology, cultural theory, philosophy, science and technology studies, cultural history, aesthetics and neuroscience.

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