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Photography after conceptual art / edited by Diarmuid Costello and Margaret Iversen.

Contributor(s): Costello, Diarmuid | Iversen, Margaret | Wiley InterScience (Online service)Material type: Text

TextSeries: Art history special issue book seriesPublisher: Chichester ; Malden, MA : Wiley-Blackwell, 2010Description: 1 online resource (vii, 200 pages) : illustrations (some color)Content type: text Media type: computer Carrier type: online resourceISBN: 9781444391503; 144439150X; 9781444333602; 1444333607; 9781444391497; 1444391496; 9781444351873; 1444351877Subject(s): Photography, Artistic | Photography in art | Art and photography | Photographers | COMPUTERS -- Digital Media -- Photography | PHOTOGRAPHY -- Reference | TECHNOLOGY & ENGINEERING -- Imaging Systems | Art and photography | Photographers | Photography, Artistic | Photography in artGenre/Form: Electronic books.Additional physical formats: Print version:: Photography after conceptual art.DDC classification: 770.1 LOC classification: TR642 | .P56 2010Online resources: Wiley Online Library

Contents:

Auto-maticity: Ruscha and performative photography / Margaret Iversen -- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar -- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James -- Exit ghost: Douglas Huebler's face value / Gordon Hughes -- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski -- Roni Horn's Icelandic encyclopedia / Mark Godfrey -- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd -- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle -- Morning cleaning: Jeff Wall and The large glass / Christine Conley.

Summary: Photography after Conceptual Art addresses substantive theoretical, historical and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. Contributions trace photographic art's remarkable transformation form the 'non-aesthetic' uses of the medium associated with various conceptual and post-conceptual practices of the 1960s and 1970s to the large scale pictorial color images that have dominated the medium since the 1990s.--[book cover].

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Ebooks	Mysore University Main Library		Not for loan		EBJW717

Includes bibliographical references and index.

Photography after Conceptual Art addresses substantive theoretical, historical and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. Contributions trace photographic art's remarkable transformation form the 'non-aesthetic' uses of the medium associated with various conceptual and post-conceptual practices of the 1960s and 1970s to the large scale pictorial color images that have dominated the medium since the 1990s.--[book cover].

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