Wellcome

Japanese and Hong Kong film industries : understanding the origins of East Asian film networks / Kinnia Shuk-ting Yau.

By: Yau, Kinnia Shuk-tingMaterial type: TextTextSeries: Routledge studies in the modern history of Asia ; 57.Publication details: London ; New York, N.Y. : Routledge, 2010Description: xxiii, 258 p. : ill. ; 24 cmISBN: 0415498082 (hardback); 9780415498081 (hardback)Subject(s): Motion picture industry -- Japan -- History -- 20th century | Motion pictures -- Japan -- History -- 20th century | Motion picture industry -- China -- Hong Kong -- History -- 20th century | Motion pictures -- China -- Hong Kong -- History -- 20th centuryLOC classification: PN1993.5.J3 | Y388 2010Online resources: Click here to view Also available as an electronic resource.
Contents:
Hong Kong and Japanese cinemas before and during wartime. Connections before the war -- Exhibition of Japanese movies in Hong Kong -- Ideas of importing Japanese technologies and the relevant activities -- Significance of Hong Kong as an anti-Japanese foundation -- KMT's prohibition against Cantonese filmmaking -- Anti-Japanese activities of Shanghai filmmakers in Hong Kong -- Hong Kong cinema under Japanese occupation -- Japanese army's view on Hong Kong cinema -- Japanese movies produced in Hong Kong during the occupation -- Exile of Chinese artists and its significance -- Connection between Chinese and Japanese cinemas initiated by Zhonghua dianying. Story of Zhonghua dianying from 1939 to 1945 -- Controversy over Zhonghua dianying -- Disagreements between Japanese army and filmmakers -- Different views towards the export of Japanese movies -- Designs and actions of Kawakita Nagamasa -- Characteristics of Shanghai cinema -- Experiences Shanghai intellects gained from Japanese movies -- Significance of Xin Yingtan -- Exhibition of Japanese movies in the old concessions -- Japanese views on Shanghai movies -- Inferior technology -- Animation and horror -- Significance of wartime co-productions -- Succession of movies of mainland China -- From eternity to remorse in Shanghai -- Immediate causes of Hong Kong-Japan collaboration. Hong Kong cinema under the division between left and right -- Confrontation between leftists and rightists in post-war Hong Kong cinema -- Ideas and actions of Zhang Shankun.
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Ebooks Ebooks Mysore University Main Library
Not for loan EBTF2294

Includes index.

Hong Kong and Japanese cinemas before and during wartime. Connections before the war -- Exhibition of Japanese movies in Hong Kong -- Ideas of importing Japanese technologies and the relevant activities -- Significance of Hong Kong as an anti-Japanese foundation -- KMT's prohibition against Cantonese filmmaking -- Anti-Japanese activities of Shanghai filmmakers in Hong Kong -- Hong Kong cinema under Japanese occupation -- Japanese army's view on Hong Kong cinema -- Japanese movies produced in Hong Kong during the occupation -- Exile of Chinese artists and its significance -- Connection between Chinese and Japanese cinemas initiated by Zhonghua dianying. Story of Zhonghua dianying from 1939 to 1945 -- Controversy over Zhonghua dianying -- Disagreements between Japanese army and filmmakers -- Different views towards the export of Japanese movies -- Designs and actions of Kawakita Nagamasa -- Characteristics of Shanghai cinema -- Experiences Shanghai intellects gained from Japanese movies -- Significance of Xin Yingtan -- Exhibition of Japanese movies in the old concessions -- Japanese views on Shanghai movies -- Inferior technology -- Animation and horror -- Significance of wartime co-productions -- Succession of movies of mainland China -- From eternity to remorse in Shanghai -- Immediate causes of Hong Kong-Japan collaboration. Hong Kong cinema under the division between left and right -- Confrontation between leftists and rightists in post-war Hong Kong cinema -- Ideas and actions of Zhang Shankun.

Also available as an electronic resource.

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