Wellcome

Music theory through improvisation : a new approach to musicianship training / Edward Sarath.

By: Sarath, EdMaterial type: TextTextPublication details: New York : Routledge, 2010Description: xviii, 369 p. : ill., music ; 28 cm. + 1 sound disc (digital ; 4 3/4 in.)ISBN: 9780415804530 (hardback); 0415804531 (hardback); 9780415997256 (pbk.); 0415997259 (pbk.)Subject(s): Music theory | Jazz -- Instruction and study | Improvisation (Music)LOC classification: MT6 | .S2547 2010Online resources: Click here to view Also available as an electronic resource.
Contents:
ch. 1. Improvisation across boundaries : a trans-stylistic approach -- ch. 2. Music fundamentals -- ch. 3. Modality and rhythm I : time feels -- ch. 4. Modality and rhythm II : small group framework -- ch. 5. Basic tonal materials : triads and seventh chords -- ch. 6. Harmonic functions -- ch. 7. Swing : global rhythmic gateway -- ch. 8. Melodic line construction and harmonization -- ch. 9. Chord inversion present and past -- ch. 10. Non-diatonic harmony I : applied chords -- ch. 11. Non-diatonic harmony II : modal mixture -- ch. 12. Figured bass realization at the keyboard -- ch. 13. Extended chords -- ch. 14. Altered extensions -- ch. 15. Diverse approaches to analysis -- ch. 16. Fine-tuning and expanding the jazz palette.
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Holdings
Item type Current library Call number Status Date due Barcode
Ebooks Ebooks Mysore University Main Library
Not for loan EBTF1600

Includes bibliographical references and index.

ch. 1. Improvisation across boundaries : a trans-stylistic approach -- ch. 2. Music fundamentals -- ch. 3. Modality and rhythm I : time feels -- ch. 4. Modality and rhythm II : small group framework -- ch. 5. Basic tonal materials : triads and seventh chords -- ch. 6. Harmonic functions -- ch. 7. Swing : global rhythmic gateway -- ch. 8. Melodic line construction and harmonization -- ch. 9. Chord inversion present and past -- ch. 10. Non-diatonic harmony I : applied chords -- ch. 11. Non-diatonic harmony II : modal mixture -- ch. 12. Figured bass realization at the keyboard -- ch. 13. Extended chords -- ch. 14. Altered extensions -- ch. 15. Diverse approaches to analysis -- ch. 16. Fine-tuning and expanding the jazz palette.

Also available as an electronic resource.

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