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05587cam a2200589 i 4500 |
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9781351016711 |
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20211012162252.0 |
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| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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190103t20192019nyu ob 001 0 eng |
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OCoLC-P |
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eng |
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rda |
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OCoLC-P |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781351016711 |
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electronic book |
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| International Standard Book Number |
1351016717 |
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electronic book |
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| International Standard Book Number |
9781351016704 |
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electronic book |
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| International Standard Book Number |
1351016709 |
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electronic book |
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| International Standard Book Number |
9781351016681 |
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electronic book |
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| International Standard Book Number |
1351016687 |
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electronic book |
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| International Standard Book Number |
9781351016698 |
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electronic book |
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| International Standard Book Number |
1351016695 |
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electronic book |
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9781138498211 |
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hardcover |
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9781138498198 (pbk.) |
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10.4324/9781351016711 |
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doi |
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(OCoLC)1081336910 |
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(OCoLC-P)1081336910 |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
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ML55 |
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.I56 2019 |
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TEC |
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001000 |
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bisacsh |
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UYU |
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bicssc |
| 082 00 - |
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| Classification number |
780.9/05 |
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23 |
| 245 00 - TITLE STATEMENT |
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| Title |
Innovation in music : |
| Remainder of title |
performance, production, technology, and business / |
| Statement of responsibility, etc |
edited by Russ Hepworth-Sawyer, Jay Hodgson, Justin Paterson, and Rob Toulson. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource. |
| 505 0# - |
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| Formatted contents note |
Performance. Transforming musical performance : the audience as performer / Adrian York ; Using electroencephalography to explore cognitive-cultural networks and ecosystemic performance environments for improvisation / Tim Sawyer ; Press play on tape : 8-bit composition on the Commodore 64 / Kenny McAlpine ; Defining and evaluating the performance of electronic music / Jenn Kirby ; Perspectives on musical time and human/machine agency in the development of performance systems for live electronic music / Paul Vandemast-Bell & John Ferguson ; Visual agency and liveness in the performance of electronic music / Tim Canfer ; Liveness and interactivity in popular music / Si Waite ; How algorithmic composition prompts innovative movement design in full-body taiko drumming / Stu Lambert -- Production. Collective creativity : a service model of commercial pop music production at PWL in the 1980s / Paul Thompson & Phil Harding ; Mix & persona : analyzing rejected mixes / Dan Sanders ; Mixing beyond the box : analyzing contemporary mixing practice / Alex Stevenson ; Optimizing vocal clarity in the mix / Kirsten Hermes ; Plugging in : exploring innovation in plugin design and utilization / Andrew Bourbon ; Mixing and recording a small orchestral ensemble to create a large orchestral sound / Jenna Doyle ; Committing to tape : questioning progress narratives in contemporary studio production / Joe Watson -- Technology. Harnessing ancillary microgestures in piano technique : implementing microgestural control into an expressive keyboard-based hyper-instrument / Niccolo Granieri, James Dooley & Tychonas Michailidis -- Mamic goes live : a music programming system for non-specialist delivery / Mat Dalgleish & Chris Payne -- Translating mixed multichannel electroacoustic music with acoustic soloist to the personal stereophonic listening space : a case study in Jorge Gregorio García / Simon Hall ; Acoustic transmission of metadata in audio files using sonic quick response codes (SQRC) / Mark Sheppard, Rob Toulson & Jorg Fachner ; Evaluating analog reconstruction performance of transient digital audio workstation signals at high- and standard- resolution sample frequencies / Rob Toulson -- Business. Can music samples be cleared more easily? Development of an automated process to clear music samples for legal creative reuse / Stephen Partridge -- (re)Engineering the cultural object : sonic pasts in hip-hop's future / Mike Exarchos ; Anticipating the cryptopirate : don't bury treasure and other potential preventative measures / Patrick Twaddle ; Can i get a witness? The significance of contracts in an age of musical abundance / Sally Gross ; The end of a golden era of British music? Exploration of educational gaps in the current UK creative industry strategy / Carola Boehm. |
| 650 #0 - |
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| Topical term or geographic name as entry element |
Music and technology. |
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| Topical term or geographic name as entry element |
Music |
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| Topical term or geographic name as entry element |
Sound recordings |
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| Topical term or geographic name as entry element |
Music trade. |
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| Topical term or geographic name as entry element |
TECHNOLOGY / Acoustics & Sound |
| 700 1# - |
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| Personal name |
Hepworth-Sawyer, Russ, |
| Relator term |
editor. |
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| Personal name |
Hodgson, Jay, |
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editor. |
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| Personal name |
Paterson, Justin, |
| Relator term |
editor. |
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| Personal name |
Toulson, Rob, |
| Relator term |
editor. |
| 856 40 - |
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| Uniform Resource Identifier |
https://www.taylorfrancis.com/books/9781351016711 |
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| Uniform Resource Identifier |
http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
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New York, NY : |
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Routledge, |
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2019. |
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©2019 |
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text |
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txt |
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rdacontent |
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computer |
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c |
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rdamedia |
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online resource |
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cr |
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rdacarrier |
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Perspectives on music production series |
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Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter is written by a leader in the field and contains insights and discoveries not yet shared. Innovation in Music covers new developments in standard practice of sound design, engineering and acoustics. It also reaches into areas of innovation, both in technology and business practice, even into cross-discipline areas. This book is the perfect companion for professionals and researchers alike with an interest in the Music industry. |
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OCLC-licensed vendor bibliographic record. |
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Performance. |
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Production and direction. |
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bisacsh |
| 856 40 - |
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Taylor & Francis |
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OCLC metadata license agreement |
