MARC details
000 -LEADER |
fixed length control field |
03734cam a2200505Ii 4500 |
001 - |
control field |
9781003021308 |
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control field |
FlBoTFG |
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20211012160759.0 |
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fixed length control field |
m o d |
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cr cnu|||unuuu |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
200512s2020 enka ob 001 0 eng d |
040 ## - |
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OCoLC-P |
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eng |
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rda |
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pn |
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OCoLC-P |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781003021308 |
Qualifying information |
(electronic bk.) |
|
International Standard Book Number |
1003021301 |
Qualifying information |
(electronic bk.) |
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9780367898199 |
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International Standard Book Number |
9781000052114 |
Qualifying information |
(electronic bk. : EPUB) |
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International Standard Book Number |
1000052117 |
Qualifying information |
(electronic bk. : EPUB) |
|
International Standard Book Number |
9781000052091 |
Qualifying information |
(electronic bk. : Mobipocket) |
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International Standard Book Number |
1000052095 |
Qualifying information |
(electronic bk. : Mobipocket) |
|
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9780367898182 |
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International Standard Book Number |
9781000052077 |
Qualifying information |
(electronic bk. : PDF) |
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International Standard Book Number |
1000052079 |
Qualifying information |
(electronic bk. : PDF) |
035 ## - |
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(OCoLC)1154016662 |
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(OCoLC-P)1154016662 |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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RC343 |
072 #7 - |
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PSY |
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000000 |
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bisacsh |
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PSAN |
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bicssc |
082 04 - |
Classification number |
573.8/6 |
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23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Gruber, David R. |
245 10 - TITLE STATEMENT |
Title |
Brain art and neuroscience : |
Remainder of title |
neurosensuality and affective realism / |
Statement of responsibility, etc |
David R. Gruber. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (xxiv, 184 pages) : |
Other physical details |
illustrations |
505 0# - |
Formatted contents note |
Preface Chapter 1. Ancient Histories of the Brain Concept Chapter 2. Neuro-Sensuality and Brain Art Chapter 3. Affective Realism and Brain Art Chapter 4. Brain Art on the Ontological Stage Conclusion. For the Love of the Momentary Brain |
650 #0 - |
Topical term or geographic name as entry element |
Neurosciences in art. |
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Topical term or geographic name as entry element |
Anatomy, Artistic. |
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Topical term or geographic name as entry element |
Brain. |
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Topical term or geographic name as entry element |
PSYCHOLOGY / General |
856 40 - |
Uniform Resource Identifier |
https://www.taylorfrancis.com/books/9781003021308 |
|
Uniform Resource Identifier |
http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
100 1# - MAIN ENTRY--PERSONAL NAME |
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(David Robert), |
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1979- |
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author. |
264 #1 - |
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London : |
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Routledge, Taylor & Francis Group, |
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2020. |
336 ## - |
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text |
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txt |
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rdacontent |
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computer |
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rdamedia |
338 ## - |
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online resource |
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rdacarrier |
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The first of its kind, this book examines artistic representations of the brain after the rise of the contemporary neurosciences, examining the interplay of art and science and tackling some of the critical-cultural implications. Weaving an MRI pattern onto a family quilt. Scanning the brain of a philosopher contemplating her own death and hanging it in a museum. Is this art or science or something in-between? What does it mean? How might we respond? In this ground-breaking new book, David R. Gruber explores the seductive and influential position of the neurosciences amid a growing interest in affect and materiality as manifest in artistic representations of the human brain. Contributing to debates surrounding the value and/or purpose of interdisciplinary engagement happening in the neuro-humanities, Gruber emphasizes the need for critical-cultural analysis within the field. Engaging with New Materialism and Affect Theory, the book provides a current and concrete example of the on-going shift away from constructivist lenses, arguing that the influence of relatively new neuroscience methods (EEG, MRI and fMRI) on the visual arts has not yet been fully realised. In fact, the very idea of a brain as it is seen and encountered today--or "The Brain," as Gruber calls it--remains in need of critical, wild and rebellious re-imagination. Illuminating how artistic engagement with the brain is often sensual and suggestive even if rooted in objectivist impulses and tied to scientific realism, this book is ideal for scholars in Art, Media Studies, Sociology, and English departments, as well visual artists and anyone seriously engaging discourses of the brain. |
588 ## - |
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OCLC-licensed vendor bibliographic record. |
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bisacsh |
856 40 - |
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Taylor & Francis |
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OCLC metadata license agreement |